Challenge, find a post where I don’t mention some obscure foreign film with a 4.6 on Letterboxd.

Saturday, January 31, 2026

Schedule Blog Post

Feb 3: Finalize Storyboard + Meeting reflection blog 

Feb 4: Media Theory Blog 

Feb 5: Finalize Main Casting/Instrument Donors + Production Logo 

Feb 6: Project Idea and Inspiration 

Feb. 7Finalize location and scouting, find vehicle to transport instrumentsfinalize costuming 

Feb 8: Figure out film compositionsStoryboard Blog post 

Feb. 9: Finalize instrument donorsfinalize ensemble cast, Blog Audio Post 

Feb 10-11: Mise-En-Scene Blogs 

Feb 12: Prepare for film day (Two cars, One with instruments, Veronica’s Keyboard) 

Feb. 13: Film band scene @ Town Center 

Feb 14: Blog Week Four Character Development 

Feb 16-17: Prepare Week 5 blog posts (Post on 16, 17, 19, 22) 

Feb. 18: Discuss post-production 

Feb. 21: Film walking scene + Garage scene 

Feb 23: Blog Week 6 Blog 1 

Feb. 24: Discuss post-necessities 

Feb 25: Blog Week 6 Blog 2 

Feb 26: Work on post (editing and score) 

Feb 27: Blog Week 6 Blog 3 

Feb 28: Meet up for post-production. 

March 1: BloWeek 6 Blog 4 

March 2-5: Prioritize Week Seven Blog Posts 

March 6: Visual editing (cinematography, credits, etc.) 

March 8: Score + sound mixing deadline 

March 10: Final Edit deadline 

March 11: Prepare Final Blog Posts (Post on separate days) 

Thursday, January 29, 2026

Thriller Opening Scenes Analysis

The Substance:

The Substance has a science fiction plot following the fading star Elisabeth Sparkle played by Demi Moore. The movie opens on a shot of the ground, in which a Hollywood star is added for Elisabeth. Following shots of its construction, we see Elisabeth in the continued top shot receiving attention for the star from paparazzi. Following edits cut to people gazing upon the star, but eventually it becomes an empty space, and a small crack forms. The star then suffers rain and the cracks become bigger, before returning to a complete lack of attention. The star then suffers through a snowy winter, followed by a person pushing a shopping cart over it. The final segment involves a guy dropping a burger on the star, making a huge mess and leaving it dirty along with its cracks. The continuous top shot is used to represent the state of Elisabeth's career at different points. The star's formation covers her building her career, all the subsequent attention is made from her success, then she begins to fade away into a lesser known star, where the most attention she can receive is a metaphorical stain on her career, and a literal stain on her star. The top shot has the star crack more as it goes on which could represent her outside of her career, becoming worse in nearly every conceivable angle due to the effect on her star status.

Uncut Gems:

Despite the story revolving around a jewelry salesman in New York, the movie opens on a mine in Ethiopia. We see men carrying a guy whose leg is bleeding heavily with bone sticking out, a likely result of a mining incident. A giant crowd forms around him with rugged African miners and cleaner workers, likely those in charge of the mine, and chaos ensues between all parties. Two miners head in to the mine during this chaos, progressing through until they unearth a gem, delicately picking it out. As they hold the gem, the camera flies through the gem and into a dreamy abstract landscape where opening credits play. As the credits end, this landscape becomes a colonoscopy, which is then revealed to be that of the main character's Howie. The peculiar choice with the opening to Uncut Gems is how it touches on an idea that is mostly ignored through the film's runtime, which is due to the film incorporating the main character's perspective. Between the scene in the mine being the start to the colonoscopy and the mining incident, the film comments on the workers who suffer daily just to provide for the jewelry and diamond industry. While the gem they unearth does appear later within the movie, the workers hold no narrative significance further than unveiling said gem. Ignoring this builds on the selfishness of the main character, with only one line later referencing Ethiopian working conditions where a character asks how much Howie, the main character as played by Adam Sandler, paid for the jewel, admitting it is for a much smaller price than he is asking for. 

Anatomy of a Fall:

Justine Triet's Academy Award-winning film begins on numerous pictures, with little to hint at their relation at first, or any sort of pattern to the cuts between each other. As the pictures progress it's slowly developed that the photos are those of the main character played by Sandra Huller. As the pictures reach their climax, two other figures appear, the first being her husband, who dies early into the film. The second does not show his face, but given the smaller size, similar hair, and the fact that the son plays piano, it's evident the son is the last photo shown. The progression of the pictures, in hindsight, is reflective of the movie's progression, first calling into question who Huller's character is, then her relationship with her husband, and ending with the weight of the film on the son, which is why his picture contains the title card. By putting apart the pictures in dissonant paces, it establishes the chaos within this family dynamic, but it also intentionally fails to portray the character traits of the family. The motive behind this decision is to place you similar to the jury of the titular trial, leaving gaps in logic for both sides of the debate, and by leaving this open question on who they really are, it maintains the question on what truly happened.


Short summaries:

The Substance:

Provides a symbol to represent the fading star of the main character.

Uncut Gems:

Plays out a scene which is mostly ignored outside of a "MacGuffin" to show the selfish perspective of the main character.

Anatomy of a Fall:

Develops the ambiguous dynamic of the family at the center of the story.

Wednesday, January 28, 2026

Marty Supreme Analysis

 In our opening scene, we build a thriller off of losers desperate for success. A movie that gives us a lot of thematic stepping stones to make this is Josh Safdie's Marty Supreme, following Marty Mauser as played by Timothee Chalamet. Spoilers for the film coming up.


Plot: 

Marty Mauser is an ambitious young man with prospects of becoming the US's premier ping pong player, but is currently stuck as a shoe salesman for his uncle to pay for his trip to the British Open. After holding up a store clerk at the shoe store, he takes money he was promised but not paid to go to the trip. On the trip he meets a pen salesman, a famed old Hollywood star, and swindles his way into a room at the  Ritz. Despite emerging as the frontrunner, he loses to Japanese underdog Koto Endo. Endo's victory places the Ping Pong world championships in Japan, but Marty ends up lacking the resources to go. Through the film's runtime, Marty will manipulate and swindle strangers, a close friend, his girlfriend, a mob boss, Hollywood star Kay Stone, Pen salesman Milton Rockwell, along with more people to make it to Japan. 


By the climax of the film, Marty has stooped down to receiving spankings from ping pong paddles by Rockwell to go to Japan, but after his stay at the Ritz cost him a large bill, he ends up not being able to play. While his deal with Rockwell was to lose in an exhibition with Endo, he challenges Endo to a real match, which he narrowly wins. The film ends with him returning home and having to face his family and girlfriend, the latter of which just gave birth to his child.

Technical Aspects: 

As is common with the previous features of the Safdie brothers, Marty Supreme uses extensive close-ups, which are commonly featured in thrillers. The camera movements during ping pong matches are also worth highlighting with frantic movement often attuned to the movement of the ball. The musical score also serves to apply tension with synth overlapping with many of the film's scenes. In scenes that don't require tension, it's common for a song fitting the time period to play. 


Performances and Character: 

Marty Mauser:

Played by: Timothee Chalamet (A Complete Unknown, Dune, Bones and All)


Marty Mauser is the greatest Ping Pong player in the USA of the 1950s. Throughout the movie he will swindle anyone to make this career choice a success, but his continued tricks constantly screw him over.


Marty exhibits 3 traits throughout the film. Potential, ambition, and selfishness. He exhibits ability to succeed in many careers such as acting and vending, and is also given many outs to avoid consequences or get away. He often loses these outs due to his ambition driving him deeper. His constant insistence that he will succeed drives the film's events and causes complete chaos. His selfishness propels that ambition from potent to extremely dangerous. What's interesting about Marty's writing is while most characters with this negative a light would often be entirely rude, and while he is for most of the runtime, he is shockingly courteous in victory, which just goes to show how he can be better than he is, but his inability to admit defeat and ambitious goals drive him further and further.

Milton Rockwell:

Played by: Kevin O'Leary (Shark Tank)


Milton Rockwell is the head of pen company Rockwell Ink, and is married to former actress Kay Stone. Through Marty he is introduced to the international ping pong community and uses Marty to promote his company.


Rockwell is unique in the fact that he serves a higher purpose than to build on Marty's story. While narratively he does do that, he also is the leading example of the film's commentary about how poor ambitious people struggle and require rich people to fund them. The topic is largely built through two interactions in the film's third act. The first is when Marty, desperate for a chance at competing in Japan, begs Rockwell, who's deal is to spank him with a paddle in the butt multiple times. Marty succumbs to the humiliation. The scene shows the level some professionals may have to stoop two just for a chance of success. Later in the movie when Marty attempts to deviate from Rockwell's plan of him losing to Endo to appease the Japanese people to sell more pens, he refers to himself as a vampire living since 1601. While there is a deleted post credits sequence where he really is a vampire, the statement is more so a metaphor as to how rich people are the ones who control the world and the chances for anyone to succeed.

Rachel Mizler:

Played by: Odessa A'Zion (I Love LA, Until Dawn)


Rachel Mizler is a woman who was married young but is having an affair with Marty. To get away from her husband, she fakes an injury while revealing to Marty that she is pregnant with his child.


Marty Supreme has been criticized for supposed derogative writing of women, but it is frankly on purpose to portray Marty's perspective. Marty believes in ping pong success above all else, so those he sees as an obstacle are portrayed negatively. When Rachel becomes pregnant, his complete admiration of her becomes a fear of settling down, so her character writing becomes manipulative for the sake of Marty's prespective.

Kay Stone:

Played by: Gwyneth Paltrow (Iron Man, Shakespeare in Love)

Kay Stone is a famed Hollywood actress from the 30s, now married to Pen salesman Milton Rockwell. While staying at the Ritz she encounters Marty Mauser, who manages to infatuate her after a call.

On a similar scope of writing women to Odessa, the character of Kay Stone serves her primary purpose by being a steppingstone for Marty. Where the difference comes between the two is how the character of Rachel grounds Marty in the ways he is stuck in now, while Kay shows who he could be. Within a scene where Marty shows up at her rehearsal for a play, he shows an ability to understand a character's motivation near effortlessly, and managing to show style and finesse within said role. The scene presents one of the many theoretical outs Marty receives, further highlighting the complete damage of his ambition.

Koto Endo:

Played by: Koto Kawaguchi

Koto Endo emerges as an underdog at the British Open, making his way to the finals and usurping Marty Mauser to win, making him a legend in a post-WWII Japan. Endo's skills can be credited partially from his concentration after losing his hearing.

Endo provides a goal for Marty to work towards in the movie. At first, he brings about Marty's worst moment, narrowly blocking his ambitious goals. The chance to challenge Endo once again drives Marty through the movie to cheat his way into the money he needs. After finally securing his chance, he is forced to lose in order to retain his chance to play, but after figuring out that that ship has already sailed, he goes all in and challenges Endo to a "real match." The climax of Marty's character is winning the game, an inevitable last taste of this life he loves before losing it to parenthood.

Meaning:

Thrown Away Opportunities:

One of the most understated ideas presented in Marty Supreme is how successful he could be with any other career. When he shows up at a rehearsal of Kay's for a new show she has, he demonstrates a near immediate understanding of a character whose actor is incapable of grasping. We're also told he is a skilled shoe salesman within the film's first act, demonstrating just how much potential Marty has.

The Ending:

While the ending to Marty's story would be seen as happy for most characters, it is devastating for him. The whole time he has been chasing success in ping pong, but now he is tied to this kid and will inevitably have to settle down, which to him is the greatest crime of all.

Release and Reception:

Marty Supreme's first viewing was a secret screening at the New York Film Festival. The screening at NYFF led to raves, with near universal appraise of every aspect of the film. Upon its official release, Marty Supreme saw continued critical acclaim, landing a B+ on Cinemascore upon release (Uncut Gems, a thriller of similar tone by Josh Safdie and his brother Benny, scored a C+), and quickly becoming A24's highest grossing movie domestically. The film has scored many mentions at the Golden Globes, Critics Choice Awards, BAFTA, and the Academy Awards. Chalamet has already won the best Actor award at the second and the Comedy Actor award at the first. He is the frontrunner for the Oscar. The film is the third highest grossing Oscar Best Picture nominee, behind Sinners and F1.

Sunday, January 25, 2026

Portfolio Genre 2: Thriller

 Thriller is a genre of which content is intended to evoke feelings of suspense, anticipation, and anxiety. While films like One Battle After Another and Once Upon a Time in Hollywood have this genre joined within their comedic tone, a vast majority feature serious tones. Thriller as a genre is difficult to label a movie as. Many movies revolve around build-ups with anticipation, which makes it difficult to apply that distinction. 


The difficulty in defining the thriller genre leaves gaping questions as to the audiences interested in the genre. Due to its similar goals in terms of audience emotion, thrillers and horror films often share similar classification, and hence they carry similar audiences. The biggest thing of note between the two is the frequency of the R-rating and mature content, both of which coincide with male skews and adult audiences. There are very little common threads between audiences otherwise. That said, thrillers often revolve around emotions that make some audiences uneasy, so the most common of all audiences is in general fans of the genre.


Given the isolating nature of the genre, the audience for it is interested in seeing thrillers, so thrillers commonly advertise themselves with that. Best picture winner Parasite's trailers often reference reviews involving tension and getting under your skin. The same distributor, NEON, also used some films that are somewhat loosely thrillers and marketed them entirely as such with It Was Just an Accident and The Secret Agent.


Thrillers are full of technical and narrative conventions. Uncut Gems is a great example of the technical side, using close-ups, loud and sudden sounds, and energetic scores to increase the anticipation and stress of scenes. Narratively, Scream is a great example. Although it is primarily considered a horror, Scream employs many twists, personal stakes, and red herrings in ways identical to many thrillers. Thrillers may also provide commentary on tough subject matter, great examples being Prisoners and child kidnapping or Soft & Quiet and the nature of modern Nazism.

Tuesday, January 20, 2026

Portfolio Genre 1: Drama

 Drama is a genre associated with works that are often more narratively serious in tone. The use of "drama" is very loose when defining films. Letterboxd, a site/app that allows you to review most feature films, lists 1,155,806 films within its database. A little over a fifth are classified as dramas, far greater than the sum of any other genre.

Dramas often appeal to those older in age, some studies suggesting adults over 40 seem most compelled by thought provoking dramas. Dramas are often intended to be socially relevant in nature, touching on topics such as widespread depression and loneliness in Joachim Trier's films "The Worst Person In the World" and "Sentimental Value," parenthood within Guillermo Del Toro's "Frankenstein," or more extreme and specific examples such as totalitarian regimes in Alfonso Cuaron's "Children of Men." 

When marketing drama films, studios often rely on other genres present within the film. NEON's marketing for their 2025 features is a great example. While The Secret Agent, It Was Just an Accident, and Sirat are all dramas, they also feature thriller elements, with the latter two incorporating themes of opposition to oppressive governments. While promoting these, NEON presents all 3 as tense, edge of your seat thrillers, when The Secret Agent and It Was Just an Accident are different in nature, although Sirat is in a way that type of thriller, although much more dramatic in nature. NEON however was stuck with one film to promote that is entirely a drama in Sentimental Value. When promoting it, NEON first utilizes recognition of its three biggest stars: Renate Reinsve, Stellan Skarsgard, and Elle Fanning. The next major attempt to advertise is by using the director's previous work to appeal to existing audiences. Lastly, the marketing places Sentimental Value's topics of loneliness and familial relations front and center to interest those who might like that sort of topic.

 To better focus on scenes, dramas are often slower paced, involving less editing. They often hinge mostly on a compelling narrative and complex characters. Many dramas do not follow these conventions though, such as Marty Supreme. Marty Supreme moves at a breakneck pace with one lead revolving around multiple characters who can be described as shallow, which is intentional to place the viewer in the protagonist's perspective. Marty Supreme's role as a drama is even contrasting to the idea of being more serious with nature, with it being very comedic in many points, although it does have moments following the genre's commonalities.

A Major Flat and CCRs

 As a quick note, I am Brazilian. This factors into the second CCR. A Major Flat CCR 1 CCR 2